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Curriculum Vitae of Lili Fang

[日期:2010-05-16] 來源:  作者: [字體: ]

Curriculum Vitae of Lili Fang

Education:

1996—1998, doing postdoctor research in Postdoctor Mobile Institute of Sociology & Anthropology, Peking University, gaining postdoctor degree

1993—1996, studying in Dept. of Fine Art History, Art Academy of Tsinghua University, gaining doctor degree

1988—1991,studying in Dept. of Fine Art, Jingdezhen Ceramics Institute of the Ministry of Light Industry, gaining master degree

1986—1987, studying in the Central Academy of Art

1981, graduted from Fine Art Subject, Dept. of Arts, JiangxiGannanNormalCollege

Positions:

Chief, Research fellow of the Art anthropology research center of Chinese national academy of arts

Member of the Chinese national expert committee of intangible cultural heritage protection

President of the Chinese art anthropology institute

Executive committee of Beijing municipal people’s congress, member of science, technology and culture committee

Main Works:

Main Works:

2008, Heritage-practices and experiments, Yunnan education press

2005, Collection of Fei Xiaotong’s Thoughts in his Later Years, published by Yuelu Academy of Classical Learning

2005, Chinese Ceramics, published by Wuzhou Publishing House

2003, Folk Kilns in Jingdezhen, published by People’s Art Publishing House,Works winning awards:2006, Folk Kilns in Jingdezhen, winner of the 2nd grade Outstanding Works Awardawarded byChinese Academy of Arts,

2001, Elapsing Ancient Town—Memories of the Ceramic City, published by Qunyan Publishing House, winning awards:2001, Tradition &Transition--Investigation of the New and Old Folk Kilns in Jingdezhen, winner of the 2nd grade Award for Philosophy & Sociology in Western China Region, winning awards:2003, Tradition & Transition--Investigation of the New and Old Folk Kilns in Jingdezhen, winner of the 2nd grade Outstanding Works Awardawarded byChinese Academy of Arts

2000, Qiyizaidao (Objects are meant for expressing the spirits)—Evaluation of the Aesthetics Thoughts of Chinese Ceramics, translated and published by Maili Gallery Publishing House of South Korea

2000, Tradition & Transition—Field Investigation of the New and Old Folk Kilns of Jingdezhen, published by Jiangxi People’s Publishing House

1995, The Theory of New Industrial Artistic Culture—Trend of the Creativity of Human Beings , published by Tsinghua University Publishing House, winning awards:1996, Theory of New Craftsmanship Culture--Trend of Creativity of Human Beings, winner of the 2nd Scholarship of Pingshanyufu

Essays:

2006, Please Pay Attention to the Bearers of Intangible Cultural Heritage, in the 6th Volume of Artistic Review

2006, Studying Jiangcun Economy, Doing Anthropology Research, in the 5th Volume of magazine Qunyan

2006, Safegurading of Intangible Cultural Heritage during Globalization, in the 3rd Volume of Ethnic Arts

2006, Art Study during Position Transition, in the 2nd Volume of Art & Science

2006, Globalization & Cultural Borderline People(?), read on an Anthropology Seminar held in ShixinUniversity in Taiwan

2005, Re-construction of Contemporary Folk Art in Western China, in Literature & Art Research

2005, Present Value of Artistic Anthropology Research, in Ethnic Art, and reprinted by Xinhua Digest

2005, Who owns the right to Explain Culture—Chanllenges faced by Ecological Museums, in Art Review

2005, Re-production of the Humanity Resources & Folk Culture in Western China, in Opening Times

2005, Be on guard against theHiding Post-colonialism Culture, in Ethnic Art

2005, Science, Humanity & Globalization, in Influence of Scinece to Society

2004, Life & Creativity—Investigation in Majiagou Village, Wuzhen, Ansai County, in Ethnic Art

2004, Anthropologcal Study on Aethetic Value, in College Journal of Guangxi Ethnic College

2004, Rising of a New Culture Movement in the 21st Century—Safeguarding of Cultural Heritages of Humanity, in Collection of the Essays for the International Seminar on Safegurading of Chinese Ethnic Art Heritage and Development of Contemporary Art

2004, Art in the Cavedwellings of Northern Shaanxi—Investigation in Guota Village, Ansai County, in Ethnic Art

2003, Paper-cut & Paintings by Farmers of Ansai, in the 2nd Volume of Literature & Art Research

2003, Elapsing Craftsmanship, in the 1st Volume of Ethnic Art

2003, Proclamation of Cultural Heritage is not just an Agitation, in China Reading (Newspaper)

2003, Desolated Chenlu County, in China Culture (Newspaper)

2003, Notes on the Conditions of Farmers’ Life in Northern Shaanxi—Investigation in Caozhuang, Wudong Town, Ansai County, in the 4th Volume of Ethnic Art

2002, About Renewablility & Protogennesis of Industrial Art, in the 1st Volume of Ethnic Art

2002, Modeling the Spirit of Farmers in Northern China, in Literature & Art (Newspaper)

2002, Constrution of Moral Culture & Sustainable Development of Economy, in Literature & Art (Newspaper)

2002, Cultural Viewpoint of the Research on Folk Kilns in Jingdezhen, in the 6th Volume of Literature & Art Research

2002, Cultural Conscientious & the Reconstrution of the Value System of Chinese Culture, inthe 4th Volume of Ethnic Art

2002, People’s Life in Cave Dwellings in Northern Shaanxi—Historical Heritance and Transition, in College Journal of Guangxi Ethnic Normal College

2001, Question of the Balance-losing of Cultural Ecology, in the 2nd Volume of College Journal of Peking University

2001, Exploitation of the West & the Development of High-feeling Cultural Industries, in the 3rd Volume of Literature & Art Research

2001, Difficulties to Human Culture during Globalization, in the 1st Volume of Ethnic Art

2001, New Spirit of Science and Art, in the 3rd Volume of Ethnic Art

2001, Composition of Economic Globalization and Cultural Ecology, in Collection of Essays on Economic Globalization & Trend of Chinese Culture, published by China Sociology Publishing House

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* 匿名 發表于 2010/5/17 2:53:25
看來是個牛人,佩服。
不過,英文錯誤太多,簡歷的寫法也很不專業。
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* 匿名 發表于 2010/5/17 2:53:25
看來是個牛人,佩服。
不過,英文錯誤太多,簡歷的寫法也很不專業。
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